[HD] Sin City Online Stream Deutsch | Version: Sango (sg-SG) - German (de-DE). Kompanie: Mandate Pictures - Dimension Films, Troublemaker Studios,. sin city 2 online. by | Nov 7, | 0 comments. In die finalen Bewertung fällt viele Faktoren, um ein möglichst gutes Ergebniss zu sehen. There is an issue. Dec 29, - Sin City () Kostenlos Online Anschauen - Vier Geschichten von Verbrechen angepasst von Frank Millers beliebten comics, die.
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Vor einigen Tagen habe ich Skat bereits dem Sin City Online Novoline online spielen gewidmet. - Wird oft zusammen gekauftIch war Wyatt Earp. Description Reviews 2 Sin City, Vol. Robert RodriguezFrank Miller. Manute Tommy Flanagan A movie that explores the dark and miserable town, Basin City, Billard Spielen Mainz the story of three different people, all caught up in violent corruption. Benicio Del Toro Jack Rafferty. I'm glad to hear you're finally talking sense. See score details. Dwight follows and sees them harass Becky, a young prostitute. The film was screened at Orca Spiele Cannes Film Festival in competition and won the Technical Grand Prize for the film's "visual shaping". No matter what you do to them, you don't feel bad. Joey Christopher Meloni Been a pleasure. There are plenty of joint investment projects that can benefit multiple cities in the game. He Portugal Holland her a cigarette, calling her by name, and she abruptly ends the call with her mother. Notify me of new comments via email.
Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.
Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
Directors: Frank Miller , Robert Rodriguez. Writers: Frank Miller , Frank Miller graphic novels. Added to Watchlist. From metacritic.
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Michael Clarke Duncan Manute. Carla Gugino Lucille. Josh Hartnett The Salesman. Rutger Hauer Cardinal Roark.
Robert Rodriguez Director. Elizabeth Avellan Producer. Frank Miller Director. Frank Miller Writer. Robert Rodriguez Cinematographer.
Robert Rodriguez Editor. Mary Vernieu Casting Director. Frank Miller Creator. Robert Rodriguez Original Music. Beth Sepko Casting. New on Netflix October Top Critic.
April 14, Full Review…. August 16, Full Review…. April 18, Full Review…. September 23, Rating: 3. February 28, Full Review….
June 5, Rating: 3. January 30, Full Review…. January 13, Rating: 8. View All Critic Reviews Aug 24, Another film I was never really bothered about upon release mostly due to the fact it was in black and white Sort of And it was short stories, 9 years later I decide to watch it and yet again i kick myself for waiting so long, There are 3 stories and a intro and a outro and they all were brilliant and gripping I did prefer the yellow bastard the most maybe because of Bruce Willis, All stories were not connected but crossed paths in a way, Some great effects for the kills and action, Brilliantly acted and nothing like you have seen before I can guarantee that, Don't make the mistake of waiting so long to see it like I did.
Jamie C Super Reviewer. Feb 28, A noble failure, Sin City is a remarkably imaginative and visually stunning film that tries to merge cinematic and comic book aesthetics.
However, the storytelling becomes overly cartoonish at points, and the pacing's too fast and disjointed. Additionally, the gratuity and gore are poorly used throughout the film; making it largely ineffective.
Sin City is a brilliant experiment in cinematography and visual style, but the material is poorly executed. Dann M Super Reviewer. Oct 23, Frank Miller and Robert Rodriguez broke new ground in cinematic storytelling with this ultra-violent, irresistibly cool anthology of brutal crime and sweet revenge.
Some of the stories are more interesting than others, but as a whole the movie is all kinds of awesome, with Bruce Willis in one of his best hero roles ever alongside John McClane and Butch the Boxer.
Tedd P Super Reviewer. Sep 01, There have been many adaptations of graphic novels that have never managed to capture the atmosphere, the overall tone, the visual spark and the characters from it's inspiration, but Sin City is an exception.
It captures the darkness perfectly. It sometimes goes from being knowingly amusing to incredibly straight faced the next, and it's easy to go along with it.
I found the CGI effects and gore very convincing but not once did they distract me from it's brilliant interlocking plot and it's strong characters and exceptional writing.
The world in which it is set is absolutely stunning, stylishly shot with eye for detail, with murky, eery, black, beautifully lit set pieces that are absolutely cartoonish but feel physically existent.
It would be easy to mistake it for an animation, it peculiarily looks just like a comic book, yet it never strays from looking realistic.
In my opinion the aforementioned flicks have been a perfect melding of Hollywood and the Comic book universe, but "Sin City" elevates it to an art form, literally.
It is hands down, the best representation of a comic book turned film ever. After catching the trailer on a TV commercial, I was intrigued, to say the least.
So I went to my local comic book store and bought the Frank Miller books the movie is based on, and enjoyed them for their off beat humor, incredible violence, and stories of love, lust, friendship, honor and seedily-earned redemption in the underworld of fictional Basin City.
Upon further contact with the Comic Book store owner, he clued me in to the sneak preview on the 16th of March yesterday as I post this , so like a kid on his way to pick up the latest issues of whatever comics are popular these days, I took the day off and went to the showing.
Having recently read the stories that are included in the film "Sin City," later renamed to "The Hard Goodbye"; "The Big Fat Kill;" and "That Yellow Bastard" , I was amazed at how much of the dialogue and narration of the books actually made it to the big screen translation.
This coming from a guy whose heart was ripped out by the bastardization of "The Sum of All Fears," bear in mind - I know what it's like to have a book you love not be given the loving attention we feel it deserves when it hits the big screen.
The dialogue isn't always the best it's a comic book, not Shakespeare, people and even the best acting in the world won't change that.
But seriously, if you're paying attention to that minor blemish, you're missing the point of the movie to begin with. Aside from the dialogue, the imagery in the film is something to be appreciated, whether you like the stories or not.
Equally beautiful and gritty black and white, with occasional brushes of color that all but explode off the screen- the comic books graphic novels to you purists act like storyboards for this movie- as life is breathed into the still images on the pages.
The "From Book to Screen" section that is no doubt going to be a feature on the future DVD release of this movie will no doubt drop a few jaws for those that haven't bothered to check out the source material.
Cold, cruel humor and over-the-top, audience-wince-inducing violence are blended in the style of "Pulp Fiction" and "From Dusk 'Till Dawn" for obvious reasons, but as I stated before, it's all direct from the books.
Kudos to Robert Rodriguez for not compromising in the making of this film and for his commitment to the original source material; and also to his co-director Frank Miller for his obvious contributions.
And to the actors in it- the cavalcade of them. My favorite performance was turned in by Mickey Rourke for playing Marv absolutely letter perfect from the book and he demonstrates one of the best narrative voices I've heard in a movie since Morgan Freeman in "The Shawshank Redemption".
Elijah Wood has a non-speaking role, but his Kevin will follow you home as much as Nick Stahl's Junior does. Clive Owen is solid as Dwight and I know a lot of geek fan-boys out there were upset that he was picked for the character and Bruce Willis does what he does best as a cop that won't quit, Hartigan.
The standout female performance is a toss up between either Rosario Dawson for her valkyrie, warrior, hooker Gail, or it kills me to say it Brittany Murphy as a "His Girl Friday" cocktail waitress.
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Sign In. I won't let you do this, you're going to get yourself killed. You're going to get us both killed.
I won't let you. I'm warning you. You're draggin me down with you. I'm your partner. They can kill me too. I ain't putting up with that.
I'm getting on the horn and calling for backup. Sit on our ass while that sick Rourk brat gets his sick thrills with victim number 4.
And she'll be raped and slashed to ribbons. Senator daddy. Settle down and think straight. You're pushing 60 and you got a bum ticker.
You ain't saving anyone. Got a great attitude, Bob. Real credit to the force, you are. Aileen's home waiting for you. Think about Aileen. I'm glad to hear you're finally talking sense.